Friday, 9 October 2026

ORIGINAL BURN — EP08 "Skippy"

ORIGINAL BURN — EP08 "Skippy"

ORIGINAL BURN — EP08

"Skippy"

Everybody said Skip was off his head. Nobody said he was wrong.

Five idiots. Several guitars. One shortcut through the Wasted Lands.

Jonny had a map.

A proper one.

Routes. Distances. Elevations.

Things marked in colours that probably meant something important.

Skip looked at it for about three seconds.

Then pointed the other way.

“Shortcut.”

I looked at Jonny.

Jonny looked at me.

Skip was already walking.

So we followed him.

The first sign said PROHIBITED.

Big letters.

Red lights.

Barrier down.

Skip walked around it.

Fair enough.

The second problem was a ravine.

Not a little one.

One of those Wasted Lands cracks that disappears far enough down you start wondering if the bottom still belongs to the same world.

There was a beam across it.

Skip was halfway over before the rest of us realised that was the route.

Jonny checked his map.

Then checked Skip.

Then checked his map again.

I don't think the map enjoyed the experience.

Things got vertical after that.

Ladders bolted into cliffs.

Maintenance platforms hanging off rusted supports.

Walkways built by people who apparently had very different ideas about workplace safety.

Skip climbed.

We climbed.

Skip talked while he climbed.

That seemed unnecessary.

At one point Jonny tried explaining that the route didn't agree with the topology.

Skip looked genuinely confused by the problem.

“You just go where it goes.”

Hard to argue with that.

Mostly because he'd already gone.

There was a lever.

There is always a lever.

Skip pulled it.

KLONK.

Something enormous woke up somewhere beneath us.

None of us asked what.

Experience was beginning to suggest that questions only slowed things down.

Then came the old transit systems.

Rails.

Carriers.

Cages.

Platforms.

Things suspended over distances that should not have had things suspended over them.

Every time we reached the end of one impossible machine, Skip found another.

Sometimes it even worked.

Sometimes Disco made it work.

Sometimes Mobie made it work while expressing several opinions about whoever had designed it.

Jonny kept checking the route.

The route kept refusing to apologise.

Eventually we found a checkpoint.

It wanted tickets.

Or identification.

Or blood.

Hard to tell.

The machine printed enough paper to bury a small settlement.

Skip stepped over the barrier.

We stepped over the barrier.

The machine continued printing.

Probably still is.

By then, nobody was asking if Skip knew where he was going.

That question had stopped being useful several miles back.

The better question was whether the Wasted Lands knew where Skip was going.

Because somehow the place kept opening for him.

A rail here.

A maintenance corridor there.

A machine nobody had touched in decades coughing itself awake just long enough to carry five idiots and several guitars somewhere they had absolutely no business being.

Maybe he could read the place.

Maybe broken things made more sense to him than working ones.

Maybe he really was off his head.

Didn't matter.

We had a gig.

And Skip was getting us there.

The last door opened.

Lights beyond it.

Noise.

People.

A stage.

Skip stopped.

Just for a second.

After everything we'd crossed, climbed, ridden, pulled, broken and probably violated several forgotten transit regulations to reach—

there it was.

The reason.

I held out my hand toward the stage.

He grinned.

Didn't need telling twice.

Then Skip did the one thing nobody had questioned all day.

He played.

No maps.

No shortcuts.

No impossible machinery.

Just Skip, a guitar and a crowd that understood him immediately.

The Wasted Lands had spent the whole journey trying to tell us there was no sensible way through.

Skip never needed one.

He just needed somewhere to go.

And a reason to get there.

Skip points out a route through the rusted towers and elevated railways of the Wasted Lands as Manny looks on.
FRAME 01: The Shortcut
Skip sees a route where everyone else sees the remains of one. The barriers, broken rails and maintenance gantries still belong to a system, even if nobody remembers how the system was supposed to work. That is where he seems most at home. The opening frame spreads that possibility across the horizon: towers, bridges, a train moving through the rust. Jonny has a map of the place. Skip has noticed something the map cannot tell him. Whether that is instinct, experience or an alarming lack of hesitation stays open. The important thing is the finger pointing forward. To Skip, there is still a way through.
Skip looks back with a grin as Manny follows him across a narrow rusted beam above a vast ravine.
FRAME 02: Trust Me
The beam makes the trust visible. Skip looks back. Manny keeps coming. There is no room here for following someone just to humour them; every step carries weight. Manny can hear how absurd “shortcut” sounds and still believe in the person saying it. That is the friendship at the centre of this episode. He knows Skip well enough to follow without needing to understand every turn in advance. The others bring their own doubts, skills and running complaints. Nobody has to become Skip to stand beside him. They simply keep choosing to come along. Loyalty, out here, sometimes looks like putting your boot on the next bit of rust.
Manny, Jonny, Skip and Mobie ride a battered transit carrier suspended high above the Wasted Lands.
FRAME 03: The Long Way Round
Each machine makes the journey less reasonable and the world a little bigger. A rail leads to a carrier. A carrier leads to a cage. Somewhere, another lever is waiting. The comedy lives in the band's different responses: Jonny trying to reconcile the route with his map, Disco coaxing machinery back into service, Mobie repairing it with several objections, and Skip treating the whole arrangement as perfectly ordinary. In this frame, the carrier is barely a foothold against the landscape. The deliberate half-tempo bridge gives that scale time to register. The music opens out, and the journey hangs in the air long enough for us to look down. Then another improbable connection carries them onward. For a shortcut, it asks a lot of the infrastructure.
Skip plays acoustic guitar for a cheering crowd on a makeshift stage, with Manny watching from the side.
FRAME 04: The Reason
The stage finally gives the journey its meaning. After the barriers, ravines and machines, the destination is something completely ordinary and important: they had a gig to play. That small fact has been pulling the whole episode forward. Manny's invitation toward the stage gives Skip room to do what he came for. The restless confidence of the journey settles into the performance. The crowd understands him immediately. We have spent the episode watching people try to make sense of Skip. Here, they only need to listen. The rust and impossible distances are still there behind him. For a while, there is also a song, and somewhere to hear it. He got them there. Now he plays.